Guest-edited by Martin Bonnard The dissemination of films online already has a brief history. Since its advent fifteen years ago, streaming has met with both resounding successes and numerous failures.…

Guest-edited by Olivier Asselin and Isabelle Raynauld With the Industrial Revolution and the post-industrial revolution, the growth of mass culture and the appearance of cinema, television and video games, audiovisual…

Guest-edited by André Habib and Annaëlle Winand The practice of re-using film (or video) is a unique field in the history of experimental cinema. From surrealist collage to subversive re-purposing,…

Guest-edited by Marie-Odile Demay and André Gaudreault Live transmissions of diverse stage performances (opera, theatre, ballet, etc.) have become common currency since the digital transition made such a thing possible.…

Guest-edited by Olivier Asselin et Isabelle Raynauld Oral or written narrative language was for a long time the privileged form of the art of storytelling. Nevertheless, visual narrative has always…

Guest-edited by Chloé Huvet This work reflects on the compositional and aesthetic consequences of technical changes in scoring Hollywood super-productions in the digital age. This book takes a two-fold approach.…

Guest-edited by Jean-Baptiste Massuet Whereas the “traditional” animated drawing, in its logic of mechanization, brings to mind the functioning of a movie camera – and by metonymy of the film industry…

By Karine Abadie Cinema exists by means of a series of mechanical and technical operations carried out with the goal of providing an audience with a finished product fixed on…